Saturday, May 18, 2019

Analyse William Golding’s choice of language during and after the killing of Simon. Why does the language use change?

Kill the creature Cut his throat Spill his blood This is the chant that begins the section, increased in its violence as it directly says kill the beast representing the feelings of the boys. They indispensability to destroy the beast but cant find it as it is inside sever anyy of them. This causes them to get ever more angry and frenzied, starting a ritualistic dance with the chant lacing like a steady pulse. This is reminiscent of Simons experience earlier when a pulse started to throbbing in his temple, beneficial before he went into a fit. This suggests that the boys ar also going into a trance or fit, but a much more dangerous one, unawargon of their actions. They lose their laissez faire and start the throb and stamp of a single organism, again with the throbbing and stamping inducing images of a trance-like ritual.Also the symbolisms of circularises and the weather are repeated. The circle now yawns emptily waiting to catch someone inside. The weather is threatening, roar boomedthe dark sky was shatteredscarblow of a gigantic whip. This is a heavy(p) contrast to the clear skies earlier in the book that symbolised peace. Now they begin to become terrified by the weather and the trance and out of this terror rose another desire, thick, imperative, blind. This is the frantic, unthinking desire of bloodlust.The boys dont want to think about what they are doing, Simon is called Him and the beast and the thing. This is because the boys are trying to dehumanize him in their expectant desire to kill something that could be the beast. However, Golding calls Simon by name just once, the effect being that we see this as the mindset of the boys.The imagery when Simon is finally murdered is very vivid, with the mouth comparison drawn again, The mouth of the circle crunched and screamed. This gives the impression of someone being eaten alive.Simon is shown to be helpless. He doesnt plane try to defend himself he just struggles free. He is completely inn ocent and Christ-like comparisons are drawn by these things and also because he is tranquillise trying to save them from themselves as he was crying out against the abominable noise something about a beast on a hill.When he falls down onto the sand he is leapt upon. There were no words and no movements but the tearing of teeth and claws. The use of claws draws comparisons with beasts and shows the boys savagery and animalistic actions. There are no words, symbolizing the complete breakdown of civilization and communication. Nobody is exempt from this original sin and even Piggy joins in. They completely destroy Simon, taking pleasure in the mutilation of his body.After Simons death the clouds opened as if they are taking him up to heaven. The rain acts as a cold shower and breaks up the savages. Golding reminds us of the age and vulnerability of these boys and Simon especially, they could see how small a beast it was and already its blood was staining the sand.A great wind blows th e parachutist off the mountain in a tribute to Simon. He has take the beast from the island, though he had to die to do it. We could look deeper and say that this shows he has only removed(p) the symbol or personification of the beast. The parachutist was never the beast, nor was Simon, but they were used as the personification of the ugly which still remains inside all of the boys.After the rain ends, the mood completely changes, from frantic and urgent to calm and serene. The incredible lamps of stars coolclear air make Simons death face peaceful, natural and spiritual. The images are of silver phosphoresce pearls clear waterclear sky strange moonbeam bodied creatures. These all give a heavenly, spiritual and peaceful feel as does the alliteration of s sounds Softly surrounded by a fringe of inquisitive creatures, itself a silver shape beneath the steadfast constellations. This makes Simons death seem beautiful and the violence of the reality unimaginable.Golding uses the viol ent, urgent, frenzied language during Simons death to show the feeling surrounding it. He uses the calm, peaceful and spiritual language afterwards, when his body is carried away as a reminder as to the lovely of person Simon was and how different he was to the others.

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